Artworks

  • View from slightly above of a man sleeping in a bed with an assortment of blankets strewn around him.
    Doron Langberg, Sleeping 2, 2020
  • Louis Fratino, Sleeping on your roof in August, 2020
    Louis Fratino, Sleeping on your roof in August, 2020
  • Detail of Louis Fratino's painting showing two men's feet intertwined.
    Louis Fratino, Sleeping on your roof in August (detail), 2020
  • A man seated ina yellow room behind a table laden with dishes, drinks, and food.
    Louis Fratino, Tom in Albisola, 2020
  • Louis Fratino, Andrea and Tommi in Pieve, 2019
    Louis Fratino, Andrea and Tommi in Pieve, 2019
  • Louis Fratino, Chinatown, 2019
    Louis Fratino, Chinatown, 2019
  • Doron Langberg, Devan, 2019
    Doron Langberg, Devan, 2019
  • Half-length three-quarter view portrait of a woman with black hair and a black top looking to the left.
    Doron Langberg, Erika, 2019
  • Nude man lying on his back, left arm over his head, his body from head to thigh facing the viewer.
    Louis Fratino, Jamie, 2019
  • Nude man lying on his back, left arm over his head, his body from head to thigh facing the viewer.
    Louis Fratino, Jamie, 2019
  • Doron Langberg, Jason, 2019
    Doron Langberg, Jason, 2019
  • Doron Langberg, John, 2019
    Doron Langberg, John, 2019
  • Framed painting showing two heads on their sides in a hugging position, one facing us and the other away from us.
    Louis Fratino, Long Morning , 2019
  • Doron Langberg, Lovers, 2019
    Doron Langberg, Lovers, 2019
  • Doron Langberg, Striped Blanket, 2019
    Doron Langberg, Striped Blanket, 2019
  • Louis Fratino's painting, "The Manhattan Bridge," showing a man walking at night in a park, staring at his glowing cellphone, along the East River in Manhattan, with the arches of the bridge overhead in the background.
    Louis Fratino, The Manhattan Bridge, 2019
  • Doron Langberg, Tommy, 2019
    Doron Langberg, Tommy, 2019
  • View from above of a nude man laying on a bed, his legs crossed, his hands behind his head.
    Louis Fratino, Untitled, 2019
  • Devan Shimoyama, Untitled (For Tamir), 2019
    Devan Shimoyama, Untitled (For Tamir), 2019
  • Close-up of one of Devan Shimyama's swings covering in rhinestones and artificial blue flowers.
    Devan Shimoyama, Untitled (For Tamir), detail, 2019
  • Frontal bust portrait of a dark-haired man with one hand raised to his forehead
    Louis Fratino, Yellow Sleeper, 2019
  • A nude man in glasses with his legs crossed lying in a hammock flipping through a magazine.
    Louis Fratino, Andrea in his hammock, 2018
  • Installation view of Devan Shimoyama's "Potted", showing him gardening in his backyard.
    Devan Shimoyama, Potted, 2018
  • Devan Shimoyama, Potted, 2018
    Devan Shimoyama, Potted, 2018
  • A black and white frontal half-length portrait of a man, his forearms propped up on his elbows before him.
    Louis Fratino, Untitled, 2018
  • Cut black paper showing nude figure cut from filigree, man leans against unseen post and holds red and green baseball cap in right hand
    William Villalongo, Obertura de la Espora (Time Dancer), 2017
  • The artist Pig Pen on a step ladder attaching photographs to a wall collage.
    Catherine Opie, Artist #2 (The Modernist), 2016
  • The artist Pig Pen entering through a glass door, the front half of them obscured by reflections in the window.
    Catherine Opie, Chemosphere #2 (The Modernist), 2016
  • Close up of a lit match.
    Catherine Opie, Match Fire #4 (The Modernist), 2016
  • Close up of the artist Pig Pen's right hand striking a match.
    Catherine Opie, Match Smoke (The Modernist), 2016
  • Catherine Opie, Mirror #3 (The Modernist), 2016
    Catherine Opie, Mirror #3 (The Modernist), 2016
  • Close up of the artist Pig Pen prone on the ground lighting a small fire with matches in front of him
    Catherine Opie, Model Fire #1 (The Modernist), 2016
  • The artist Pig Pen stooped by an outdoor pool with a lit match in their hand.
    Catherine Opie, Sheats-Goldstein #3 (The Modernist), 2016
  • View through a highly reflective window into a room where the artist Pig Pen sleeps on a sofa.
    Catherine Opie, Sleep (The Modernist), 2016
  • Navy background painting with feathers and arms floating
    William Villalongo, Olympia's Window, 2015
  • Navy background painting with feathers and arms floating
    William Villalongo, Olympia's Window, 2015
  • Enrique Chagoya, Illegal Alien's Guide to Existentialism, or My Private Border Patrol, 2007
    Enrique Chagoya, Illegal Alien's Guide to Existentialism, or My Private Border Patrol, 2007
  • Full-length self-portrait of Catherine Opie, wearing jeans, a sleeveless flannel shirt, and a fake black mustache.
    Catherine Opie, Bo, 1994
  • Sekula, Sonja, Étude d'août, 1959
  • Soldiers pointing rifles with bayonets at two men, one with a sharpened club
    Goya y Lucientes, Francisco José de , Con razon ó sin ella (Rightly or Wrongly), 1808-1812
  • A pile of corpses
    Goya y Lucientes, Francisco José de , Muertos recogidos (Harvest of the Dead), 1808-1812
  • Abstract painting composed of angular and polygonal shapes in shades of oranges, reds, and blacks.
    Kate Petley
  • Abstract painting composed of angular and polygonal shapes in shades of red and purple.
    Kate Petley
  • Abstract painting composed of angular and curving shapes in shades of yellow, orange, and black.
    Kate Petley
  • Abstract painting showing an oblique edge view of a polygon shape against a background of purple and yellow.
    Kate Petley
  • Abstract digital image including a vertical and horizontal crossbars in shades of blue against a red background
    Matthew Kluber
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  • Black ink drawing of a woman seated at a table, facing the viewer, her right elbow on the table and chin resting on her fist.
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  • White haired woman seated in a yard smoking a cigarette, her head thrown back, exhaling smoke into the air above her.
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  • Bust-length portrait of a Chinese figure facing out, eyes looking slightly over the viewer's, as if with pride.
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  • Abstracted view of two figures appearing to be dancing and kissing in a daytime landscape.
    Christina Quarles, A Head of Ourselves (Lez We Get)
  • Daniel Strong, Daniel Strong portrait
    Daniel Strong, Daniel Strong portrait
  • Seated shirtless figure holding a camera to his eye aimed at us, the viewer, while two nude figures stand on either side of him, their heads out of view, each with a hand at his neck or his face.
    Paul Mpagi Sepuya, Darkroom Mirror (_2070527)
  • View of a shirtless Black photographer seen from behind, his right arm holding a camera at his shoulder aimed at us, the viewer.
    Paul Mpagi Sepuya, Darkroom Mirror Study, or Aperture
  • Black drapery is parted to reveal a camera on a tripod aimed at us, the viewer. The camera is being held by a black arm and a white arm that emerge from the drapery, the rest of the two bodies concealed behind the black drapery.
    Paul Mpagi Sepuya, Drop Scene (_1030373)
  • Seated Black man in a photography studio, holding a large shard-like black shape that obscures most of his nude body.
    Paul Mpagi Sepuya, Figure (_2010015)
  • A nude photographer stands in profile in a studio, his back half visible, as is one leg of his tripod. His front half is concealed behind a large piece of shiny black material.
    Paul Mpagi Sepuya, Figure (_2100934)
  • Black ink drawing on white paper showing two figures in a landscape looking toward a settlement in the distance
    Christina Quarles, For Whom Tha Sun Sets Free
  • Greg Manuel, Greg Manuel portrait
    Greg Manuel, Greg Manuel portrait
  • A woman in a white slip seated on the floor of a bare, white-carpeted room, her bare legs revealing amputated toes on both her feet.
    Angela Strassheim, Lisa
  • A large roughly triangular collaged view of body parts being held by one visible hand in a photography studio.
    Paul Mpagi Sepuya, Mirror Study (0X5A6571)
  • View of a photographer seated in a studio aiming a camera out at us, mostly obscured by a cut-out of a photograph of another photographer also aiming at us.
    Paul Mpagi Sepuya, Mirror Study (_Q5A3497)
  • Abstracted view of two figures kissing in a nighttime landscape with a full moon in the sky at upper left.
    Christina Quarles, Night Fell Upon Us (Up On Us)
  • Devan Shimoyama, Nightshade Harvest
    Devan Shimoyama, Nightshade Harvest
  • The colors of the rainbow in vertical stripes, from red on the left to violet on the right.
    rainbow
  • Black ink drawing on white paper showing two abstracted figures gesturing as if in argument, one of them with tears falling on the other.
    Christina Quarles, Tell Me Tell Me
  • Wall Comparison 2
    Wall Comparison 2
  • Abstracted view of a seated figure in a landscape dotted with 6 sunflowers.
    Christina Quarles, We Gunna Spite Our Noses Right Offa Our Faces
  • Devan Shimoyama, Weed Picker
    Devan Shimoyama, Weed Picker